Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Francesco Hayez 02

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
59283		Ruth	Ruth (1835) Collezioni Comunali d'Arte, Bologna
59296		Samson and the Lion	Samson and the Lion (1842) Galleria d'Arte Moderna, Florence
98158		Samson und der Lowe	1842(1842) Medium oil on canvas Dimensions Deutsch: 210 x 162 cyf
59317		Self portrait at age 69	Self-portrait at age 69 (1860) Galleria degli Uffizi, Florence
59334		Self portrait at age 88	Self-portrait at age 88 (1879) Galleria d'Arte Moderna, Venice
98341		Self-portrait at the age of 69.	1860 Medium oil on canvas Dimensions 124 x 97 cm (48.8 x 38.2 in)
59264		Sicilian Vespers, Scene 1	Sicilian Vespers, Scene 1 (1821-1822) Private collection, Milan
59300		Sicilian Vespers, Scene 3	Sicilian Vespers, Scene 3 (1846) Galleria Nazionale d'Arte Moderna, Rome
93619		Sizilianische Abende	1846(1846) Medium oil on canvas Dimensions Deutsch: 225 x 300 cm cjr
93690		Sizilianische Abende	1821-1822 Medium oil on canvas Dimensions Deutsch: 150 x 200 cm cjr
92172		Sizilianische Vesper	1846(1846) Medium oil on canvas Dimensions Deutsch: 225 X 300 cm cyf
98322		Sizilianische Vesper	1821-1822 Medium oil on canvas Dimensions Deutsch: 150 x 200 cm
59272		The Ballerina Carlotta Chabert as Venus	The Ballerina Carlotta Chabert as Venus (1830) Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento
59327		The Death of the Doge Marin Faliero	The Death of the Doge Marin Faliero (1867) Pinacoteca di Brera, Milan
98320		The destruction of the Temple of Jerusalem.	1867(1867) Medium oil on canvas Dimensions Deutsch: 183 x 252 cm
1565		The Kiss	1859 Brera, Milan
40718		The Kiss	mk156 1859 Oil on canvas 112x88cm
56249		the kiss	mk247 1859 ,oil on canvas,44x34.5 in,112x88 cm,pinacoteca di brera,milan,ltaly
59258		The Kiss	The Kiss (1859) Pinacoteca di Brera, Milan.
59324		The New Favorite	The New Favorite (Harem Scene) (1866) Private collection, Milan
59292		The Parting of the Two Foscari	The Parting of the Two Foscari (1842) Galleria d'Arte Moderna, Florence
59270		The Patient	The Patient (portrait of Carolina Zucchi) (1825) Museo Civico, Turin
59269		The Penitent Mary Magdalene	The Penitent Mary Magdalene (1825) Civica Galleria d'Arte Moderna, Milan
59278		The Refugees from Parga	The Refugees from Parga (1831) Pinacoteca Tosio Martinengo, Brescia
22838		The Refugees of Parga (mk22)	1828-1831 Oil on canvas,approx 200 x 290 cm Brescia,Pinacoteca Tosio Martinengo
59284		The Seventh Crusade against Jerusalem	The Seventh Crusade against Jerusalem (1838-1850) Palazzo Reale, Turin
87357		The Sicilian Vespers	Date 1846(1846) Medium Oil on canvas Dimensions Deutsch: 225 x 300 cm cjr
80812		The Two Foscari	ca. 1852(1852) Medium Oil on canvas cyf
77505		The Two Foscari: Francesco Foscari, Doge of Venice banishing his son Jacopo on the charge of treasonable correspondence while in exile	The Two Foscari: Francesco Foscari, Doge of Venice (c. 1372-1457) banishing his son Jacopo on the charge of treasonable correspondence while in exile; subject of Bryon's poetic drama 'The Two Foscari'" The Two Foscari (Title by WGA) ca. 1852(1852) Oil on canvas 168 cm (66.1 in). Height: 121 cm (47.6 in). cjr
84364		Trivulzio	1832(1832) Medium Oil on canvas Dimensions Deutsch: 136 x 101 cm cyf
59261		Ulysses at the court of Alcinous	Ulysses at the court of Alcinous (1813-1815) Galleria Nazionale di Capodimonte, Naples
70948		Ulysses at the court of Alcinous	Medium Oil on canvas Dimensions 381 x 535 cm
92422		Valenza Gradenigo before the Inquisition	1835(1835) Medium oil on canvas Dimensions Height: 96 cm (37.8 in). Width: 115.5 cm (45.5 in). cjr
59335		Vase of Flowers on the Window of a Harem	Vase of Flowers on the Window of a Harem (1881) Pinacoteca di Brera, Milan
59309		Venetian Women	Venetian Women (1853) Villa Carlotta, Tremezzo
91543		Venezianerinnen	1853(1853) Medium oil on canvas Dimensions Deutsch: 55 x 40 cm cyf
98325		Weiblicher Akt	oil on canvas Dimensions 105 x 70 cm (41.3 x 27.6 in)
87158		Zusammentreffen von Jakob und Esau	Date 1844(1844) Medium Oil on canvas Dimensions Deutsch: 208 x 300 cm cjr
89998		Zusammentreffen von Jakob und Esau	1844(1844) Medium oil on canvas cyf
91114		Zusammentreffen von Jakob und Esau	1844(1844) Medium oil on canvas cyf
91936		Zusammentreffen von Jakob und Esau	1844(1844) Medium oil on canvas Dimensions Deutsch: 208 X 300 cm cyf
85814		Zusammentreffen von Jakob und Esau, Detail	Date 1844(1844) Medium Oil on canvas cjr

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Francesco Hayez

1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

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